During the Covid19 pandemic, we experienced a lack of cultural and artistic events in dedicated galleries and stage halls, but also a significant increase in the amount and variety of digital content. Actors in culture and art tried to maintain contacts with the audience and associates through various forms of digitalization of their usual activities, so they developed alternative models of artistic presentation, in the form of digital galleries and digital art projects, work sales on the Internet, but also digital distribution and streaming.
What kind of challenges are forthcoming for the art world? What are the expectations for the audience and the creators? Are the art production and market becoming freer, point-black and approachable or on the contrary more dependent on capital? Are the art-making and experience of art becoming more personal and individual or depersonalized and estranged?